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National Archaeological Museum of Taranto

MArTA's Gold of Taranto: Greek jewelry unmatched since, in a museum spanning Magna Graecia to Rome.

  • Taranto
  • Museum
Plan your visit
Where
Taranto
Best for
Gold of Taranto jewelry
Allow
2 hours

Greek colonists made Taras the richest city in Magna Graecia, and their goldsmiths' work fills this museum's cases with a virtuosity nothing since has matched: diadems, earrings and necklaces worked in gold wire so fine it looks woven rather than cast.

The museum occupies a former convent, reopened in 2007 after seven years of renovation following its 1887 founding, and its galleries run from prehistoric finds through Roman-era mosaics and sculpture. An athlete buried around the fourth century BC lies displayed as archaeologists found him, his prize amphorae for winning games arranged beside his bones. The bronze Zeus of Ugento, cast around 530 BC, and the marble group of Orpheus and the Sirens, returned from the Getty Museum, are among the collection's other set pieces.

Sources and citations (3)
  1. Museo Archeologico Nazionale di Taranto — MArTALa Storia del Museo Archeologico Nazionale di TarantoInstitutional headingRead source
  2. Ministero della CulturaMuseo archeologico nazionale di Taranto — MArTAPlace recordRead source
  3. Museo Archeologico Nazionale di Taranto — MArTAPercorsi e CollezioniCollection pathsRead source

Five works worth finding

If you see nothing else, see these.

  1. The gold of TarantoTarentine goldsmiths, archaic to Hellenistic

    Diadems, earrings and necklaces in gold wire so fine it looks woven. The floral diadem from Canosa is a good example to look for.Greco-Roman section, first floor

  2. The Tomb of the AthleteTarentine burial, about the 5th century BC

    A man buried with his prize amphorae arranged beside his bones, displayed as the archaeologists found him.Greco-Roman section

  3. Zeus of UgentoBronze, c. 530 BC

    A rare Greek bronze from Puglia, made at the time Taras was among the richest cities of Magna Graecia.Sculpture galleries

  4. Orpheus and the SirensTarentine marble group, Hellenistic

    A funerary marble group taken out of Italy in the 1970s and returned from the Getty Museum, one of the museum’s headline pieces.First floor, permanent display

  5. Attic and Corinthian vases from the necropolisesGreek workshops, 7th to 4th century BC

    A chronological walk from protocorinthian pots to Attic black- and red-figure vases shows how wealthy Taras was.Ceramic rooms

Plan your visit

Everything you need before you go.

Booking
No booking needed
Time needed
2 hours
Best time
A weekday morning, or the first Sunday of the month for free entry
Getting there
In central Taranto on Corso Vittorio Emanuele II, a short walk from the train station and the Ponte Girevole swing bridge.

As an Italian state museum, admission is typically free on the first Sunday of each month; confirm pricing at museotaranto.cultura.gov.it.

Save time for the top-floor galleries, where the gold jewelry is displayed: most visitors linger downstairs among the vases and miss the museum's real showpiece.

Official website
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Good to know

How long should you spend at the National Archaeological Museum of Taranto?

Allow about two hours. The Greek and Roman galleries on the first floor are the highlight, and the gold room alone can absorb half an hour. Add time if you also want the prehistoric section.

Is the Taranto archaeological museum worth visiting?

Yes, it holds one of the largest collections of Magna Graecia anywhere, and the goldwork is unmatched. It lives in a former convent that reopened after a long renovation. For anyone heading to Puglia, it adds real context to the region’s Greek past.

Do you need to book the Taranto archaeological museum?

Usually not. It is large enough that crowds rarely pinch the galleries, except on busy holiday weekends. A weekday morning is the quietest time.

More to see nearby

Same city first, then the nearest across the region.

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