Turin's cathedral is the city's only Renaissance building, raised between 1491 and 1498 in white marble that looks understated next to Guarino Guarini's soaring Baroque dome, built between 1668 and 1694 to crown the Chapel of the Holy Shroud behind it.
The cloth itself, a 14-foot linen some believe wrapped Christ's body, spends nearly all its time locked inside a climate-controlled case that pilgrims view only through glass. A 1997 fire badly damaged the chapel and several artworks. Public expositions, called ostensioni, happen only when the Pope, the Shroud's legal owner, calls for one, most recently in 2015, so most visitors come to pray rather than to see the relic itself.





